All Glory Be to God on High  The PRELUDE is a setting of Nicolaus Deciusâ (c. 1485-c. 1546) âAll Glory Be to God on Highâ (947). Written in 1522 or 1523, it is one of the earliest Reformation hymns and is based on words and interpretations unique to Lutherâs translation of the Scriptures. It is a versification of the Gloria in Excelsis of the Divine Service, and was identified as Deciusâ work in 1710. The third stanza ends with, âHave mercy on us, Amen,â which indicates that the fourth stanza was likely added later, perhaps by Joachim SlĂźter in 1525. Todayâs setting (BWV 711) is one of multiple organ settings by Johann Sebastian Bach (1685-1750) on this tune.
O Lord, let this Your little flock, Continue in Your loving care  The HYMN OF THE DAY, âLord Jesus Christ, the Churchâs Headâ (647) is part of a longer hymn by Johann Mentzer (1658-1734). It was first published in the Reibersdorfer Gesang Buch of 1726. Notice its unusual rhyme pattern: ABCBDDEEF. The tune, while having the character of a seventeenth-century chorale, was written in the twentieth century.
Mentzer, who studied in Wittenberg, was a pastor in Merzdorf, Hauswalde, and Chemnitz. He was the author of over thirty hymns. This text reminds the Church to cling to Christ in the means of grace: âYour Sacraments, O Lord, and Your saving Word, to us, Lord, pure retain. Grant that they may remain our only strength and comfort.â
Godâs Word is our reliance as Christians. As we sing in stanza four, we put aside the things of the world, bear the cross of Christ, andâby graceâfind in Him our âendless joy and gladness.â
The introduction is by Benjamin M. Culli, who serves as keyboard productions editor at Hal Leonard Corporation, and organist at PeaceâNew Berlin, Wisconsin.
Holy Zionâs help forever, And our confidence alone  The HYMN TO DEPART âChrist is Made the Sure Foundationâ (909) is a translation by John Mason Neale (1818-1866) of medieval Latin hymn Urbs beata Jerusalem. The tune is adapted from an anthem by Henry Purcell (1659-1695), an English composer who served at Westminster Abbey (fittingly, the name of the hymn tune) and the Chapel Royal. The doxology is a fitting conclusion for both this hymn and the Divine Service for this Feast:
Praise and honor to the Father,
Praise and honor to the Son,
Praise and honor to the Spirit,
Ever three and ever one:
One in might and one in glory
While unending ages run! Amen.
The introduction to the hymn is by Charles Callahan (b. 1951).
The VOLUNTARY is a setting of âBuilt on the Rockâ by Robert J. Powell (b. 1932).