Defend Thy truth, O God The ENTRANCE HYMN, âO Lord, Look Down from Heaven, Beholdâ (TLH 260) is Martin Lutherâs  (1483-1546) hymn on Psalm 12. Written in 1523, it is one of his earliest. In daily prayer in the monastery, Luther learned the psalms by heart, so they served as the basis for a number of his hymns. Luther also wrote hymns on Psalms 14, 46, 67, 128, and 130.
Though many things have changed since Lutherâs time, his hymn is just as timely today as when it was written. Christians and the Church face relentless attacks from the devil and the world. âFor them My saving Word shall fight.â In all times, Christ is our only hope: âThe wicked everywhere abound, And would Thy little flock confound; But Thou art our Salvation.â
I Trust When Dark My Road  The HYMN OF THE DAY, âIn God, My Faithful Godâ (745) proclaims the reality of suffering in the Christian life. The Christian knows that life will not go smoothly all the time. At times, it might even seem unbearable. Rather than despair when challenges, difficulties, and temptations arise, we know that Our Lord is with us in every trial and that He has conquered death and hell: âI build on Christ, who loves me; from this rock nothing moves me.â
Stanzas 2 and 4 are sung in a setting by Helmut Barbe (b. 1927). He served as cantor of St. Nikolai Church in Berlin and professor of Berlin University of the Arts.
The PRELUDE is a setting of âIn God, My Faithful Godâ (BWV 694) by Johann Sebastian Bach (1685-1750), from a collection of chorale preludes known as the Kirnberger chorales (BWV 690-713). They are named after a student of Bach, Johann Philipp Kirnberger (1721-1783) because of his work in publishing Bachâs chorale settings after Bachâs death. Todayâs Prelude features the melody played by the feet on the pedals on the 4â reed, while the hands play separate motifs: left hand on 8â and 2â flutes on the Swell; right hand on 8â and 4â flutes on the Great.
My soul longeth for Thee, O God  The CHORAL VOLUNTARY is Sicut cervus by Giovanni Pierluigi da Palestrina (1525-1594). The text is Psalm 42.1: Sicut cervus desiderat ad fontes aquarum: ita desiderat anima mea ad te, Deus. (Latin: âLike as the hart desireth the waterbrooks, so my soul longeth for Thee, O God.â) Palestrina was influenced by northern European polyphony through composers like Guillaume Dufay and Josquin des Prez. Palestrina served as the musician at a number of churches in Rome. His music represents the high point of Renaissance polyphony, such as the example we hear today.